The Cup of Christ is the Holy Grail, that has never been found, in all searches through the ages.

BROTHEHOOD: FLAME OF SION

Brother Elias Cain is a covert operative for the Flame of Sion, taking instructions and being funded by the Crimson Synod. He works under the direction of Father Malachai Verelli, the Archbishop Lucien Thorne, Dr Leontine Ashur and Cardinals El-Amin and Alfonzo.

Brother Elias helps the Crimson Synod acquire the DNA they need from the Talpiot Tomb, and tries to take control of the Elizabeth Swann, but it tasered by HAL, while the rest of the crew are asleep.

SERMON OF THE DIVINE BLUEPRINT

Delivered by Father Malchai Virelli to the Crimson Synod

“Brothers and sisters of the Flame, gather close. Tonight, we do not speak of prophecy as distant thunder—we speak of it as fire in our hands.”

“Behold, I am coming soon,” says the Lord in Revelation 22:12. But how long must we wait? Two thousand years of silence. Two thousand years of war, famine, and desecration. Is this the divine plan—or is it our failure to act?

John 14:12 proclaims:

“Whoever believes in me will do the works I have been doing, and they will do even greater things…”

Greater things. Not lesser. Not imitation. Greater. We have believed. We have studied. We have found the sacred blueprint—etched in blood upon the Shroud, sealed in bone beneath the Talpiot stone. And now, we act.

1 Corinthians 15:49 tells us:

“Just as we have borne the image of the earthly man, so shall we bear the image of the heavenly man.”

What is DNA, if not the image? What is the genome, if not the echo of divinity? We do not play God. We fulfill Him.

Genesis 1:26 reminds us:

“Let us make mankind in our image…”

Then let us make again. Let us restore the image that walked among us. Not in metaphor. Not in myth. But in flesh.

Hebrews 12:29 declares:

“Our God is a consuming fire.”

And we are His flame. We do not fear the fire. We are forged by it. We are the refiner’s crucible, the furnace of truth. We do not wait for clouds and trumpets. We build the vessel. We summon the spark.

“The Church has grown fat on mystery. The world has grown cold on doubt. But we, the Crimson Synod, are the architects of revelation. We do not desecrate—we resurrect. We do not blaspheme—we fulfill. And when the world sees Him again, not as myth but as man, they will know: the Second Coming was not delayed. It was denied. Until now.”

The Flame of Sion’s Doctrine, or teachings: 

“The Son of Man left behind the husk of flesh, sanctified by suffering. We do not seek to raise the man, but to prepare the vessel for the return of the Light.”

SACRED TEXTS OF THE FLAME OF SION

These texts are revered internally but hidden from public view. They blend apocryphal scripture, pseudo-scientific prophecy, and encrypted theological doctrine.

1. Codex Lux Aeterna (The Eternal Light Codex)

This is the foundational scripture of the Order. Allegedly written by a 13th-century mystic who claimed visions of a Second Dawn. The Codex contains encrypted references to resurrection, genetic purity, and divine replication.

Chapters include:

- The Vessel Shall Rise — prophecy of a reborn messiah.

- The Flame and the Womb — symbolic merging of science and sanctity.

- The Bloodline of the Light — genealogical charts tracing divine descent.


2. The Gospel of the Twin

Is a heretical text claiming Jesus had a twin—possibly a metaphor for replication. This is used to justify the belief that Christ can be reborn through sacred science. The Gospel suggests that the soul can be “summoned” into a genetically identical body if purified.


3. The Scrolls of the Second Dawn

A modern compilation of research, relics, and recovered fragments. Includes references to Cleopatra’s tomb, mitochondrial DNA, and ancient embalming rites. This is maintained in The Vault of the Dawn, accessible only to high-ranking members. It is thought that the remains of Jesus, at Golgotha (Calvary) were embalmed, or mummified, using the formula developed by Cleopatra, that enabled her to contemplate suicide as a means of evading her captors, and cursing them to oblivion. Something, that came to pass.

The Last Supper, a painting by Leonardo da Vinci

THE HOLY COMPASS - CAST